Month: July 2017

The Gifted

In the wake of Inhumans it seems like there’s a new contender for worst looking Marvel associated TV show with the release of the latest trailer for the upcoming show The Gifted.

The Gifted is according to executive producer Matt Nix set in an alternate timeline to everything else from Fox that’s been X-Men related, fully embracing the inherently confusing Marvel comics narrative device of alternate Earths and time lines.

The series centres around Lauren and Andy Strucker (Natalie Alyn Lind and Percy Hynes White) two teenagers who discover they’re mutants in a rather dramatic fashion. Which is problematic because their father Reed (Stephen Moyer) works for a faction of the U.S Government that hunts mutants. Meanwhile Lorna Dane aka Polaris (Emma Dumont), John Proudstar aka Thunderbird (Blair Redford), Blink (Jamie Chung) and Eclipse (Sean Teale) are a group of mutants trying to survive in a world where mutants are hunted and feared and the X-Men no longer exist.

The group of mutants here are alternate versions of the same mutants seen in the dark future of Days of Future Past, with the exception of Polaris. There’s nothing wrong with this as Blink is one of the best characters in Marvel’s vast X-Men universe, Blink was heading up the Exiles after escaping from the Age of Apocalypse reality, so it’s disappointing that the character will undoubtedly be underserved by the series for reasons that will become clear.

There’s definitely a lot of potential in the ideas of The Gifted, especially given the very pertinent real world parallels of bigotry, prejudice and hatred towards certain people just because of who they are. That potential is going to be hobbled by several things though one being The Gifted is on Fox rather than Netflix or HBO where writers would be able to actually engage some of the political issues the show is clearly bringing up, another is the same problem that threatens to hobble Inhumans, a TV show about a group of people with powers is very hard to pull off for budgetary reasons.

From what’s been shown so far The Gifted is like a slightly less cheesey Mutant X, which itself was essentially an X-Men show in everything but name, in fact it was so similar that Fox sued Marvel and the production companies before they filed a counter suit and then came to a settlement later.

So whilst it’d be great to see a TV show that features multi-layered fleshed out characters with engrossing character arcs and a narrative that deals with important themes that have very real parallels and features characters with powers, that’s something that the X-Men films have majorly struggled with or not even attempted and they’ve been mega budget productions. The fundamental problem with any TV show that features characters with powers is the writers are generally bound by budgetary restrictions into using those powers sparingly because showing them being used is an expensive and timely endeavour from a production perspective.

Marvel’s Netflix shows have managed to get around this by featuring characters that have powers that are easier to portray on screen because they are much more grounded and generally require more fight choreography than extensive and expensive digital effects work. There’s a big difference between Luke Cage throwing people around and shrugging off bullets and a character like Blink creating portals and teleporting or Polaris using her powers of magnetism to throw vehicles around. There’s no doubt that they could be done, and done impressively, but there’s a definite sense this show doesn’t have the budget to do it and when a show that features powers doesn’t have the budget to do them properly it becomes unintentionally comedic or it has to not take itself seriously and have a more comedic campy tone like DC’s Legends of Tomorrow.

Marvel’s Inhumans

The first trailer for Marvel’s Inhumans is here and, well, it doesn’t look that great really.

Whilst they might not have the high profile of the X-Men or Spider-Man Marvel’s Inhumans have been around for decades first appearing in the 60’s. The origins of the Inhumans are a little convoluted but simply put they’re the result of genetic engineering by the Kree (an alien race) on primitive man in the hopes to use them against their foes the Skrulls (another alien race) in a war. The Kree abandoned their plans and left the Inhumans behind on the Moon. Completely seperate from the rest of humanity they developed their own advanced society in the city state of Attilan.

Whilst the enigmatic Black Bolt (Anson Mount) might be the King of the Inhumans, capable of levelling a city just by whispering, Medusa (Serinda Swan) is Queen of the Inhumans and no mere trophy wife either.  Medusa is not only a central figure within the Inhumans society, acting as interpreter for the silent Black Bolt (communicating via sign language) and helping conduct affairs of the state, she’s also a skilled and capable fighter. Medusa’s lengthy hair has greater tensile strength than iron wire and she can control and manipulate it at will. She can lift, hold and move objects (including people) using her hair and also use it for precise tasks like picking a lock. You’d never know any of this from what you see in the trailer though as there’s no indication she has any powers, or any importance, at all. She doesn’t even speak.

What’s really interesting is the poster for Inhumans gives the impression that, understandably, Black Bolt, Medusa and Maximus are the main characters of this series but the trailer, the first trailer which will impact the first impression that potential viewers have, utterly fails to show why Medusa is on that poster.  Whilst it’s out of context it does seem to be indicating Medusa is basically helpless before Maximus who seemingly subjugates with no problems at all.

Marvel is pretty appalling at representation for anyone who isn’t a white guy in their on screen universe. Medusa in Inhumans could be a prime opportunity to add another ‘strong female character’ to Marvel’s on screen presence (granted it’s a white woman) but the trailer utterly fails to give any impression that she matters at all in the world of the Inhumans, that’s besides the complete absence of her powers.

Black Bolt’s treacherous brother Maximus (Iwan Rheon) gets the main focus of this first trailer but the stand out by far is actually Lockjaw, the huge teleporting dog that serves as Black Bolt’s guardian of sorts. Inhumans could be a great drama about a royal family that just happens to have strange abilities/powers but this trailer doesn’t do a good job of selling it. There’s a definite sense that it really doesn’t have the budget to do these characters properly given their visual effects intensive powers.

There’s a lot of noise about Inhumans being shot on IMAX but there’s little evidence as to why it’s been shot on IMAX, almost everything about the first trailer looks amateurish, bland and low budget in a bad way. Whilst the marketing seems to be trying to make it seem like ‘event’ TV the actual trailer does the opposite.

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