Whilst on a routine patrol officer Daniel Carter (Aaron Poole) stumbles upon an injured man (Evan Stern) staggering down a empty road. Carter rushes the injured man to a nearby rural hospital overseen by Dr. Richard Powell (Kenneth Welsh) and a small staff. Then Carter finds himself caught up in a mind shattering nightmare.
The Void from writer/director duo Jeremy Gillespie and Steve Kostanski, who crowdfunded the film’s special effects (more on that in a moment) but not it’s actual funding, is clearly inspired by 80’s films. John Carpenter’s The Thing and Stuart Gordon’s From Beyond especially. Other touch points include Clive Barker’s Lord of Illusions and John Carpenter’s In the Mouth of Madness which appeared in the mid 90’s.
Like Carpenter’s ‘Mouth of Madness The Void conveys the mind rending cosmic horror of Lovecraft, despite not being a direct adaptation of his work. Carter is the everyman character who finds himself trapped in an escalating situation which makes him question everything he sees and knows.
There’s an old adage of ‘show don’t tell’ and that runs through proceedings here. There’s very little in the way of exposition establishing anything. A brutal prologue sets the tone for things to come. Imagery, atmosphere and a refreshingly old school approach to special effects is a major part of The Void. Digital special effects might be the norm now but practical effects have an enduring appeal (even decades later Ray Harryhausen’s stop motion effects work like cinematic magic). The plot might be a little incoherent and the characters a little generic but Gillespie and Kostanski are in their element when it comes to visuals, which are a feast of blood and body horror that’s like David Cronenberg dialled up to 11.